Idea for home I | Portal for Culture, Arts and Society
I remember the battles for Shipka diageo plainfield il ... I mean the building of 6 Shipka Str in Sofia - "home" of the Union of artists who due to the ambiguous status for decades been a bone of contention between UBA and SU. And as long as disputes are increasingly building west, parts of it were "bite" for the restaurants and shops necessary for the maintenance of herself.
Over time, receive loop: if UBA exist solely to defend Shipka 6. Sometimes I wonder what would the artists Uncomfortable and rundown building - after all, the point of the organization diageo plainfield il is primarily in the operation and quality of exhibitions that address are exceptional. It is understandable - there is sentiment. Among constant around 3,000 "membership" certainly there are people for whom the building is a symbol and reminder of the once powerful Union of Artists, and perhaps fueling hopes that its revival is possible ...
Either way, the cost and serious compromises UBA recently formalized building Shipka 6. Just in time to celebrate its 80th anniversary with a series of exhibitions titled diageo plainfield il "Idea House". The concept is Maria Vassileva and, of course, goes beyond the specifics to open seemingly endless scope for interpretation by the artists. But while the project is very risky - in fact by the curators to decide whether cozy home will be impersonal hostel. Moreover, it comes to exhibitions, which are important diageo plainfield il as individual works and their harmony.
"Bread" (curator Vesela Radoeva) disappointed me at the door - with pathos in the sentence "A true family home collect the scent of their honor and bread." As a result diageo plainfield il of this concept half exhibition can serve as a guide to folk traditions. Here and there appear and fish - no disrespect to biblical parables and sculpture contributes prayers. And even supposedly modern interpretations of the theme is based on the tradition: in the text Boyka Asiova wondering what to do with old bread shovel and Nevena Belcheva placed in wooden tub "bread and circuses in times of crisis" (2012) - installation worthy diageo plainfield il of exhibitions since the early 1990s. Two of the works in the exhibition make an effort to connect diageo plainfield il directly bread and art, but fail - at least for me is not convincing as design and quality.
At one point, the show seemed to "switch" Dump the bread and presents only family of artists. Here we can see music and dance (by Valentin Starchev) landscapes general (by Cyril Haralampiev) running and falling flying objects in prints and sculptures (from Kamen Starchev diageo plainfield il Starchevo and ice), and among them Indian temple sculpture ( Ivan Roussev) and painting (by Nina Ruseva). Learn the shoes Feyyue the installation of Lazarus Lyutakov - do not ask Google, go to Shipka 6: You will receive all the information and see the real pairs! ..
The sudden shift of perspective - from the trough and food to India and China, apart exhibition. "Composition" (2012) by Dimiter Petrov to door attempting to return to the topic of bread. But could only induce nostalgia in me - a "badnitsite" Svilen Blazhev from the 1980s ...
"Wood and stone" (curator Ivo Bistrichki) did is an example of exhibition stands very well overall, though the works that I liked (and understood) in it are few. Do not say limited to one - "Solar Self Portrait" (2011-2012) by Nikolai Kolyazov: solar panel powered battery, and it is connected to a monitor on which the solar disk changes color depending on the energy that the lamp fed at a time. I do not know if I have understood the mechanism, but I definitely like the idea of mapping the sun itself - with the technical assistance of the artist. Plan of St. Peter's Basilica, superimposed on the Martian landscape is one of the works of Ivo Bistrichki. And prompted me to think about the unusual "absorption" of this neighboring planet. But his other work on the topic frustrates me: astronaut to cut an inverted diageo plainfield il cross on his chest, which glows from the inside - it seemed to me too dummy to experience it seriously. I walked in the installation "Nobody's home" Branko Nikolov: stone bases with wooden columns and capitals of old crumbling houses - in themselves they create a nostalgic mood. But black and white photos of abandoned homes attached to the columns become the installation documentation. And it objects is limited to evidence (similar shoes at Lazarus Lyutakov upstairs), which the artist simply moved the showroom. (By the way this system was previously shown as a solo exhibition of Branko Nikolov "Raiko Alexiev" - and is one example of how context and modification of the work affect its impact.)
After this "documentary" narrative liked three pictures "Emptiness" Mary Chakurova - just three square framed
I remember the battles for Shipka diageo plainfield il ... I mean the building of 6 Shipka Str in Sofia - "home" of the Union of artists who due to the ambiguous status for decades been a bone of contention between UBA and SU. And as long as disputes are increasingly building west, parts of it were "bite" for the restaurants and shops necessary for the maintenance of herself.
Over time, receive loop: if UBA exist solely to defend Shipka 6. Sometimes I wonder what would the artists Uncomfortable and rundown building - after all, the point of the organization diageo plainfield il is primarily in the operation and quality of exhibitions that address are exceptional. It is understandable - there is sentiment. Among constant around 3,000 "membership" certainly there are people for whom the building is a symbol and reminder of the once powerful Union of Artists, and perhaps fueling hopes that its revival is possible ...
Either way, the cost and serious compromises UBA recently formalized building Shipka 6. Just in time to celebrate its 80th anniversary with a series of exhibitions titled diageo plainfield il "Idea House". The concept is Maria Vassileva and, of course, goes beyond the specifics to open seemingly endless scope for interpretation by the artists. But while the project is very risky - in fact by the curators to decide whether cozy home will be impersonal hostel. Moreover, it comes to exhibitions, which are important diageo plainfield il as individual works and their harmony.
"Bread" (curator Vesela Radoeva) disappointed me at the door - with pathos in the sentence "A true family home collect the scent of their honor and bread." As a result diageo plainfield il of this concept half exhibition can serve as a guide to folk traditions. Here and there appear and fish - no disrespect to biblical parables and sculpture contributes prayers. And even supposedly modern interpretations of the theme is based on the tradition: in the text Boyka Asiova wondering what to do with old bread shovel and Nevena Belcheva placed in wooden tub "bread and circuses in times of crisis" (2012) - installation worthy diageo plainfield il of exhibitions since the early 1990s. Two of the works in the exhibition make an effort to connect diageo plainfield il directly bread and art, but fail - at least for me is not convincing as design and quality.
At one point, the show seemed to "switch" Dump the bread and presents only family of artists. Here we can see music and dance (by Valentin Starchev) landscapes general (by Cyril Haralampiev) running and falling flying objects in prints and sculptures (from Kamen Starchev diageo plainfield il Starchevo and ice), and among them Indian temple sculpture ( Ivan Roussev) and painting (by Nina Ruseva). Learn the shoes Feyyue the installation of Lazarus Lyutakov - do not ask Google, go to Shipka 6: You will receive all the information and see the real pairs! ..
The sudden shift of perspective - from the trough and food to India and China, apart exhibition. "Composition" (2012) by Dimiter Petrov to door attempting to return to the topic of bread. But could only induce nostalgia in me - a "badnitsite" Svilen Blazhev from the 1980s ...
"Wood and stone" (curator Ivo Bistrichki) did is an example of exhibition stands very well overall, though the works that I liked (and understood) in it are few. Do not say limited to one - "Solar Self Portrait" (2011-2012) by Nikolai Kolyazov: solar panel powered battery, and it is connected to a monitor on which the solar disk changes color depending on the energy that the lamp fed at a time. I do not know if I have understood the mechanism, but I definitely like the idea of mapping the sun itself - with the technical assistance of the artist. Plan of St. Peter's Basilica, superimposed on the Martian landscape is one of the works of Ivo Bistrichki. And prompted me to think about the unusual "absorption" of this neighboring planet. But his other work on the topic frustrates me: astronaut to cut an inverted diageo plainfield il cross on his chest, which glows from the inside - it seemed to me too dummy to experience it seriously. I walked in the installation "Nobody's home" Branko Nikolov: stone bases with wooden columns and capitals of old crumbling houses - in themselves they create a nostalgic mood. But black and white photos of abandoned homes attached to the columns become the installation documentation. And it objects is limited to evidence (similar shoes at Lazarus Lyutakov upstairs), which the artist simply moved the showroom. (By the way this system was previously shown as a solo exhibition of Branko Nikolov "Raiko Alexiev" - and is one example of how context and modification of the work affect its impact.)
After this "documentary" narrative liked three pictures "Emptiness" Mary Chakurova - just three square framed
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